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Heaven Can Wait

Heaven Can Wait (1943)

1h 52m | PG-13

⭐ 6.9 / 10

Spoiled playboy Henry van Cleve dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of profligacy. The devil, however, isn't so sure Henry meets Hell's standards. Convinced he is where he belongs, Henry recounts his life's deeds, both good and bad, including an act of indiscretion during his 25-year marriage to his wife, Martha, with the hope that "His Excellency" will arrive at the proper judgment.

Director: Ernst Lubitsch

Studio: 20th Century Fox

Genre: Comedy, Romance, Fantasy, Drama

Video: 720p

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Cast

Don Ameche

Don Ameche

as Henry Van Cleve

Gene Tierney

Gene Tierney

as Martha Strabel Van Cleve

Charles Coburn

Charles Coburn

as Hugo Van Cleve

Marjorie Main

Marjorie Main

as Mrs. Strabel

Laird Cregar

Laird Cregar

as His Excellency

Spring Byington

Spring Byington

as Bertha Van Cleve

Reviews

By CinemaSerf

I kept seeing Clifton Webb in the role of "Henry Van Cleve" here, but Don Ameche manages it well enough as he arrives in the waiting room "downstairs" for an interview with Laird Cregar. He thinks he has lived his successful life in such a fashion as to merit refusal up where Mozart and Beethoven still play, but his interviewer decides to let him tell his own story and that's where we come in. "Henry" comes from a wealthy New York family where he is expected to conform to society rules by his father "Randolph" (Louis Calhern) and mother "Bertha" (Spring Byington). Well suffice to say he doesn't ever really want to play that game, but nobody quite expects him to pinch his cousin's bride-to-be "Martha" (Gene Tierney) just as they get engaged. What now ensues sees the couple's trials and tribulations as they bring up their own son "Jack" with the assistance of their grandpa "Hugo" (Charles Coburn) before sadness tinges his life. At the start we all make assumptions about "Henry", but gradually we realise that he's actually quite a decent cove whose instinctive behaviour is refreshing amongst the formality and pseudo-snobbishness of a society that's long since forgotten it's own shoot from the hip roots. Coburn is on good form, Eugene Palette - and his instantly recognisable tones - turns in a few fun cameos as her father and though maybe a bit long, it tells us a story of true love in a gently amiable, quite personable fashion that allows the chemistry between Ameche and Tierney to gently simmer.