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The Mummy's Hand

The Mummy's Hand (1940)

1h 7m | PG-13

⭐ 5.723 / 10

A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.

Director: Christy Cabanne

Studio: Universal Pictures

Genre: Horror, Adventure, Fantasy

Video: 720p

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Cast

Dick Foran

Dick Foran

as Steve Banning

Peggy Moran

Peggy Moran

as Marta Solvani

Wallace Ford

Wallace Ford

as Babe Jenson

Eduardo Ciannelli

Eduardo Ciannelli

as The High Priest

George Zucco

George Zucco

as Professor Andoheb

Cecil Kellaway

Cecil Kellaway

as The Great Solvani

Reviews

By Ack

Not a bad movie for a rainy Saturday afternoon. It's a little serious and a little bit fun. Keep an open mind and realize this isn't a million dollar production and it can be very enjoyable.

By CinemaSerf

Ultimately, this spawned three sequels that develop the tales of "Kharis" (this time Tom Tyler) as he is raised from his perpetual living death to reconcile with his "Princess Ananka". By far the best of them, this film starts off with Dick Foran ("Steve Banning) and Wallace Ford ("Babe Johnson") as two hapless archaeologists who accidentally discover and defile the tomb of "Kharis" who, together with his menacing, megalomanic High Priest "Andoheb" (George Zucco) are not best pleased. Revived by his potent elixir of Tan leaves, the mummy sets off to wreak vengeance on his desecrators - and, of course, to find his long lost gal whom he hopes will buy into his new "been in a terrible fire/hospital" look. The production is a bit basic - there is plenty of repetitive use of the same shots but the cast/writing in this are quite decent - Cecil Kellaway and Eduardo Cianelli are quite effective at keeping the story moving along between strangulations and it's got quite a good conclusion too. No relation to Karloff's 1932 version, but still quite an enjoyable development go the them that I rather enjoyed.