Casbah (1948)

By CinemaSerf

This is an odd film to watch, this one. Essentially it appears to be a post war vehicle for successful actor/crooner Tony Martin ("Pepe le Moko"), but somewhere along the line director John Berry loses his way with this hybrid of romantic musical - there are half a dozen numbers from Harold Arlen and Leo Robin, including the Oscar nominated "For Every Man There's a Woman" - mixed in with a lightweight crime-noir scenario fronted by policeman Peter Lorre ("Slimane"). The confusion isn't really helped by some indifferent writing and even a glamorous, sultry performance from Yvonne de Carlo ("Inez") fails to get the thing moving with any direction or impetus. Lorre is good, doing what he always did well - a sort of hot, sweaty, weasel in a suit - and the setting of the law-unto-itself Casbah in Algiers where his quarry is protected ought to have helped create a bit of menace, mystery at least, too - but, no, sorry - this is just an average film held up by some fine tunes.